Tilt feet, legs all the way up, and port de bras or the control and positioning of the arms pull are the three things that each dancer must have. These three technical components can easily make or break the ballet and without them it is impossible to get noticed by a professional company. The critical time for a young dancers training when these three elements can be specified correctly for a lifetime is a teenager early from about 10 years and approximately 13 years old.
Currently moving body from that of a child to a nearly adult form and its muscle, ligaments and tendons, Bones grow to nearly their final size and mental acuity students greatly sharpens of day-dream children when something much closer to an adult who can focus attentively and subtle concept is preserved.
During early adolescence is the best thing to do for Ballet and indeed for a dance that focus on training and get a good control of ballet technique for feet, legs and arms or port de bras.
Once these foundations have been properly is still a source that the dancer can extract that effortlessly, graceful movement that everyone wants to have and apply it to any form of dance of the ballroom dress to hip hop and, of course, Ballet. Ballet technique can be applied to all forms of dance, because it is so completely and exactly on the search for any part of the body in space as a trained dancer is completely at home using her body in a complicated way and create exactly the motion as choreographer or the request.
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